Miguel Llobet Solés: Variations on a Theme by Sor for guitar, Op – Play streams in full or download MP3 from Classical Archives (), the. Variaciones sobre un tema de sor op. 15 (). Filed Under: Llobet. Miguel Soles Tagged With: Variations · Fullscreen Variations on a Sor theme Op. Miguel Llobet Solés was a classical guitarist, born in Barcelona (Catalonia, Spain ). Llobet was a Theme of Fernando Sor and 10 variation.

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The Left hand solo variations for example, as well as a variation in complete hamonics. That’s what we in the UK call ‘sight reading’ ie. I noticed before that the term is used differently in the US but have never read the US equivalent of our use so: I think that if you have to ask how hard a piece is, this one may be a bit of a reach for you.

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We’re tested for it as part of variatiosn ‘Grade’ system I play the Llobet, and if I’m performing it I have to really be on top of practicing it.

Llobet Sor variations how difficult? Robertjust an aside but what do you colonial fellows call it when someone performs a piece for the first time, reading from music and which they’ve never seen before?

Miguel Llobet Solés – Variations on a Theme by Sor for guitar, Op – Classical Archives

For example if one hasn’t seen or played the music in a long time. Please consider supporting us by disabling your ad blocker on our website. DofpicRobertjust an aside but what do you colonial fellows call it when someone performs a piece for the first time, reading from music and which they’ve never seen before? It’s typical Giuliani – deceptively simple construction, a nod towards virtuosity, a brief flirtation with lyricism and rounding off with a characteristically exuberant finale.


I don’t think there’s a usage difference between countries, but I have noticed that the term is frequently misused. The Llobet Variations is one of the most challenging pieces for the CG, with lots of great technical challenges all rolled into one piece.

Our website is made possible by displaying online advertisements to our visitors. I think i will stick to some easier stuff as i would rather play a lessor piece beautifully than take on a difficult on and look shoddy. As a matter of fact it isn’t based on a theme of Sor at all but on ‘Les Folies d’Espagne’, a very old progression that has been set in variation form by hundreds of composers and for all kinds of instrumentation. The finale is truly the ot finale ever!

It is fun to play! Here is my post topic with a performance by Viloteau: The sor mozart variations i can also sight read and learn easily but i was referring to playing at tempo cleanly with virtuosity. At first sight it appears quite easy but, to present well, it demands a precise and neatly controlled technique as well as offering the possibility of a little virtuosic flourish if you can achieve a certain briskness of tempo.


Last edited by 19thcenturyguitarist on Tue Jun 07, 6: Just I would have simply said ‘read’ rather than ‘sight-read’. If it feels like sight reading one may be inclined to use the term. Forum guitare classique – Forum chitarra classica – Foro guitarra clasica – Free sheet music for classical guitar – Delcamp.

Classical Guitar Skip to content. If you are drawn to the theme try searching for ‘folies d’espagne’ or ‘la folia’, you should find lots of examples for guitar. The Sor, on the other hand, I can pretty much sight read cold.

Variations on a Theme by Sor for guitar, Op.15

Learned and played it all at tempo in a week. Sounds like a fund piece to learn and play But wanted input before I bought the score. Because he’s a teacher and having seen it used this way quite often on DC I was mildly curious that there must be some other way of designating ‘playing at first sight’. As with losing one’s virginity, one can only sight-read a piece of music once. Is it more difficult than the Sor Mozart variations.

What it doesn’t have are the ‘showy’ variations in harmonics or for left hand alone.